Tuesday, September 12, 2017

Allied Artists 104th Exhibition


Photo of "View from Kenmare"

I was delighted to receive word that my painting, "View from Kenmare" has received the Giovanni Martino Family Award for Realistic Landscape in Oil in the 104th Annual Exhibition of the Allied Artists of America, on view at the Salmagundi Club.

Looking forward to the reception and awards presentation on Sunday, September 17 from 1-4pm at the Salmagundi Club, 47 Fifth Avenue (at 12th Street) in New York. The exhibit is large and the gallery is filled with many very fine pieces.

Always so gratifying when an artist receives recognition for their work.

Monday, August 21, 2017

NY Artists Equity 2017: 1947 exhibition

LIC Jackson Avenue Reflections
Oil on canvas
24x18 inches


I am delighted to be one of 7 artists chosen to exhibit in the upcoming 70th anniversary exhibition of New York Artists Equity. We were asked to look through a list of the founding artists and choose the one who was an influence on our work. I chose Charles Sheeler. This new painting depicts some of the ongoing construction reflected in the glass facades sprouting up all over Long Island City and Sheeler's work was an inspiration.

Here is the statement that accompanies the painting.

The paintings of Charles Sheeler, one of the founding members of New York Artist Equity, intrigued me after first seeing them at MoMA and the Whitney when I was a young art student. As a member of the Precisionist movement, Sheeler’s scenes of the urban industrial landscape greatly influenced my own work. An accomplished photographer, Sheeler used his photography as a basis for his drawings and paintings and I too work from my photographs. Sheeler’s “Stacks in Celebration” are reminiscent of my studio view of “Big Allis”, the ConEd plant in Long Island City. “River Rouge Plant”, a painting of industry and manufacturing are not unlike the LIC neighborhood I first came to in 1980. And “Upper Deck”, a beautiful painting in stark muted tones of whites and grays reminded me of Whistler’s works, which I greatly admire. My painting, “LIC Jackson Avenue Reflections” pays homage to Charles Sheeler in that it is very much an urban landscape capturing the ongoing development of a community painted in a clean, crisp style.

The exhibition is on view from September 6 - October 7, 2017 with a reception on Wednesday, September 6, from 6-8pm.

For more information here is the press release.

Friday, August 11, 2017

NYC Relics

Downtown Relics Study
Oil on canvas panel
6x6 inches


I recently read the book "The Gargoyle Hunters" by John Freeman Gill which focuses on 1970's New York, urban renewal and the upheaval as seen through the eyes of a young teen-age boy. The city's upheaval is mirrored in his own families trials and tribulations. An intriguing book.

After reading it I was reminded of a place downtown on Houston Street and 2nd Avenue where a building selling architectural artifacts from demolished buildings were sold. The building itself came crashing down one day. Once the lot was cleared, some of the relics were propped up and stored. I'd had this photo for awhile and the book inspired me to do this small study.

I've painted many gargoyles and architectural details and they are still to be found all over the city, one just has to keep looking. It is a subject I never tire of as they add so much to the character and whimsy of an increasingly bland streetscape.

Thursday, July 27, 2017

French Roast on Sixth Avenue


Corner Bistro Study
Oil on panel
5x4 inches
Sold


In 2006 I created a series of small paintings for an exhibit in the former Ansonia Windows on 10th Street and Sixth Avenue. French Roast located up the block made for a nice subject of the neighborhood.

This week, French Roast in the Village closed, yet another neighborhood restaurant to disappear from the New York City urban landscape.

To read some comments on this closing, check out this blog post on Jeremiah's Vanishing New York.

Thursday, July 13, 2017

Stoop Sitting at the Salmagundi


Salmagundi Stoop Sitters
Oil on canvas
12x9 inches


In this new painting, 3 women are sitting on the broad brownstone steps of the venerable Salmagundi Club on Fifth Avenue and 12th Street. Stoop sitters were once a common sight with people congregating outdoors to catch up on local gossip, get a breath of fresh air and check out the goings-on in the neighborhood. These 3 caught my eye as I was leaving an art exhibit at the club a few years ago and there was something about this intimate scene that gave me the idea of this painting.

When I was growing up in a Queen's co-op, we didn't have stoops but we did have copings, short brick walls where both kids and adults gathered to meet up and congregate. Sometimes the residents in the apartments facing the street and the copings were none too happy due to the noise that filtered up to their homes, but that was the neighborhood.

Stoop sitters as well as fire escape sitters are still around, but not as numerous as they once were in this urban city.

For more information on the Salmaguni Club, here is a link.

Wednesday, June 28, 2017

The Vanishing New York Diner

Afternoon at the Gramercy Diner
Oil on canvas
8x10 inches


Read this article today on the disappearance of the neighborhood diner and it really hit home. Growing up in Queens with a working mother who did not like to cook, many of the meals we had were eaten at neighborhood diners and this is the type of restaurant that I still prefer frequenting when eating out.

Several years ago I did this painting of the Gramercy Diner on 17th Street in Manhattan. This place, like so many others, closed a few months ago and now brown paper covers the windows. Not sure what will be opening in the space, or when that will even occur, with so many vacant storefronts dotting New York's streets these days.

Monday, June 26, 2017

New York Artists Equity

As a long time member of New York Artists Equity, I'm pleased they have found a new gallery space on the Lower East Side. I admire the work of many of the artists who founded the organization almost 70 years ago. It's so important to be part of a community of artists and I'm proud to be a member.

Several weeks ago I was interviewed for the Community section of their website. If you'd like to read it, here is a link to the interview.

Photo of the building housing NYAE's gallery